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Mélisande

Fauré - Les berceaux

Mélisande

2:31	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	14	8	4	100%
	25	7	7	4	91%
Voice	15	0	2	6	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	14	8	4	100%
	25	7	7	4	91%
Voice	15	0	2	6	89%

La Traviata - Libiamo ne' lieti calici

Mélisande

2:25	Est. Play Time
194	Measures
	2,958Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	36	36	11	4	97%
	22	31	4	3	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	36	36	11	4	97%
	22	31	4	3	100%
Violetta	13	0	3	4	48%
Alfredo	12	0	3	4	47%
B	15	1	5	4	34%
S	16	13	5	4	34%
T	15	7	5	4	34%

Bach, Magnificat BWV 243: Et Misericordia

Mélisande

2:20	Est. Play Time
35	Measures
	1,143Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	0	10	3	100%
Violin	21	1	8	4	89%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	0	10	3	100%
Violin	21	1	8	4	89%
	18	5	7	4	89%
Viola	21	0	9	4	89%
A	16	0	6	3	74%
T	15	2	5	3	74%

Gabriel Fauré - Après un rêve

Mélisande

2:45	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	67	7	2	100%
	23	12	7	3	94%
Ténor	16	0	6	9	94%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	67	7	2	100%
	23	12	7	3	94%
Ténor	16	0	6	9	94%

Antonio Cesti - Intorno all'idol mio

Mélisande

3:11	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	16	5	4	71%
	16	2	2	5	99%
Voix	12	0	3	8	92%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	16	5	4	71%
	16	2	2	5	99%
Voix	12	0	3	8	92%

Bizet, Carmen Acte 2-17: La fleur que tu m'avais jetée

Mélisande

3:15	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	82	27	8	97%
	35	16	21	6	95%
Don José	17	0	7	8	81%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	82	27	8	97%
	35	16	21	6	95%
Don José	17	0	7	8	81%

Mozart, die Zauberflöte: Chor der Priester "O Isis und Osiris"

Mélisande

2:18	Est. Play Time
42	Measures
	1,310Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	4	7	100%
Violins 2	18	9	5	7	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	4	7	100%
Violins 2	18	9	5	7	100%
Violoncellos	17	3	5	5	100%
Tenors	13	24	3	5	98%
Basses	16	0	6	6	98%
Violas	16	8	3	6	98%
Trombone	14	20	3	5	91%
Bass Trombone	15	0	5	5	90%
Flute	13	14	2	6	83%
Oboe	13	15	2	6	83%
Fagotti	17	19	2	6	82%
Bassoon	8	8	0	5	60%
Horn	6	6	0	5	57%

Gounod, Faust: Avant de quitter ces lieux

Mélisande

3:19	Est. Play Time
63	Measures
	1,608Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	35	73	13	9	100%
	35	66	13	5	100%
Valentin	20	0	8	9	87%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	35	73	13	9	100%
	35	66	13	5	100%
Valentin	20	0	8	9	87%

César Franck: Domine non secundum

Mélisande

2:22	Est. Play Time
71	Measures
	1,059Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	17	8	6	100%
	24	5	8	5	97%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	17	8	6	100%
	24	5	8	5	97%
T	13	0	4	5	85%
S	14	0	4	5	70%
B	15	0	4	5	66%

Poulenc: Stabat Mater dolorosa

Mélisande

3:17	Est. Play Time
51	Measures
	1,635Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	32	73	17	5	98%
	31	48	15	6	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	32	73	17	5	98%
	31	48	15	6	98%
Contrabass	31	8	13	5	98%
Violoncellos	30	5	13	3	98%
Bass	16	0	7	5	66%
Tenor	16	0	7	6	62%
Alto	16	1	7	5	58%
Bar.	15	0	7	6	58%
Sopr	17	0	8	6	50%